11/21/2020 POETRY: ROB TAYLORKING TIDE The boardwalks scuttled like diving reef schooners – a walkable Galilee if anyone dared, but each jogger rears to higher ground. I’ve lost my son a half-second here or there before I pulled him up, his lips like planks, in tubs and pools and once a mirror lake – the obsidian endless kind that really ends abruptly in roots and husks and carcasses and muck. This country’s full of them. All summer we swim bellies up, avoid anoxic thoughts. The joggers, any other day, linger at the point just long enough to catch their breath and contemplate an app, perhaps the sun. Yes, there it is, afloat. My son, I need to know what you thought of water when it first, again, surrounded you. Your eyes were wide. You didn’t make a sound. Not one thing was born or died. THE SUCCESSFUL PEOPLE OF THIS WORLD The successful people of this world are always busy. They work all day then come home and need to do something so they cook the dinner, wash the car, cut the grass. It's because of the successful people that we have water restrictions: this side of the street on even days, that side on odd. They like that kind of thing: schedules, they are usually big fans of schedules, and when they have free time in theirs they spend it composing new schedules. When they take medication they always put it in one of those plastic things that divides the pills up by days. In conclusion: the successful people of this world are busy and efficient, their actions are their own rewards, and a green lawn during a heat wave is their poem. "The Successful People of the World" previously appeared in The Other Side of Ourselves (Cormorant Books, 2011). Rob Taylor is the author of three poetry collections, including The News (Gaspereau Press, 2016), which was a finalist for the 2017 Dorothy Livesay Poetry Prize. Rob is also the editor of What the Poets Are Doing: Canadian Poets in Conversation (Nightwood Editions, 2018) and guest editor of Best Canadian Poetry 2019 (Biblioasis, 2019). His fourth collection, Strangers, will be published by Biblioasis in Spring 2021.
11/21/2020 POETRY: DANIELA ELZAFORECASTS it is how our footsteps alter the flurries how we move through the breeze in the boughs of our hope. when time stops in the sideways glance you will find me in the missed heartbeat see me in the many moons of your longing and furies. in the place where words fail us with a sharp astute parlance and war is upon us and the sun sets black under the yoke of a darkening century again we are going nowhere fast. in storms and tornados of prognosis and forecasts over a horizon of planted crosses the weather turns passive aggressive on us. and there is no way we can say such things about the weather as we forget how to move through the elements that we are. it’s up to you and I what we’ll do in this tortured oil-spilled winter. where even in sleep loneliness alters us re-interprets us holds us hostage. how I even begin to smile at people in my dreams. how a little bit of light brings nuance to the shutter in the prolonged exposure photography of grief where the struggling light shreds the clouds of our sorrow into the rags of tomorrow and of course you will also find me here waiting for spring. Acknowledgements: This poem was inspired by the poem Angst by Alexander Block (1880-1921) and it was published in Ping Pong: An Art and Literary Journal of the Henry Miller Memorial Library (Big Sur, California, 2014). Daniela Elza lived on three continents before immigrating to Canada in 1999. Her poetry collections are the weight of dew (2012), the book of It (2011), milk tooth bane bone (2013), and the broken boat (Mother Tongue Publishing, 2020). slow erosions (a chapbook written in collaboration with poet Arlene Ang) is coming out with Collusion Books (2020). Daniela also has essays forthcoming in The Queen’s Quarterly and Riddle Fence. |
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