판교낙생대공원 / at the Pangyo Paradise Park, Seoul, Korea
두터운 잎 Project/ part of Thick Leaf Project
As time goes as humans love the city forest, the forest loses herself and morphs with our habit. Her power and beauty are destroyed by our impatient and insignificant acts. We think the forest will remain the same, but she loses her language every time we walk through her path. The beautiful path for us is a plastic wind for her.
- How do we express love?
사람이 도심의 숲을 사랑하는 시간이 흐를수록 작은 숲은 자신을 잃고 사람에 맞춰 변해간다. 숲은 그 자체로 힘이 있고 아름답지만, 사람이 만든 성급하고 작은 사건들에 무너져버린다. 숲은 계속 그대로일 거라고 생각하지만, 사람들이 한발자국 걸을 때마다 숲은 빠르게 숲의 언어를 잃어간다. 사람의 아름다운 산책길이 숲에게는 플라스틱 바람인 걸 모른다.
-사랑의 표현은 어떻게 해야 하나
CHOE Rayun is a visual artist who works closely with elements from everyday and nature. She is an active member of Mullae Art Village in Seoul. Site-specificity of Mullae informs her work and directs her attention to nature, human and urban, and their relationship to each other. With her thought provoking works, she offers a moment to share and an opportunity to contemplate. She works in diverse mediums such as painting, drawing, sculpture, video and performance.
Becoming Rock (2018)
Video excerpts from a series of 13 video performances (02:57)
Becoming Rock: Road Rock (2019)
Video still image from performance series ‘Becoming Rock’
Becoming Rock is a series of performative videos that explore the relationship between body and earth through the repeated action of becoming a rock within the landscape. Although it is physically impossible to merge with the land, Jessica Slipp sees the exposure of each repeated attempt as an absurd, awkward, yet genuine and honest gesture to engage with the land.
Jessica Slipp uses rocks as a form and means to compact earth and time. She is interested in what rocks contain and how, when deconstructed, they return to tiny particles of matter – the elemental component to the fabric of the universe and where all of life began. With concern for planet Earth, she looks to Donna Haraway’s rethinking of the Anthropocene and use of the term Chthulucene to describe our current epoch. This encourages the process of thinking, making, and being with all living and non-living species. In this time of ecological crisis and global climate change, it is vitally important to shift anthropocentric modes of thinking about the world to thinking with the world.
Jessica Slipp is a Visual Artist currently living and working in the unceded Indigenous land of the Kanien’kehá:ka Nation in Tiohtiá:ke (Montréal). As an interdisciplinary artist her work investigates notions of place, uncovers new perspectives of land & landscape, and challenges the way we exist within the world. She is interested in the the ways that place and identity are embedded in the land through geological, ecological, and human histories, and the intrinsic connection we all share with the world — from the particles that randomly composed it, to the very nature that we embody. Through her artwork she attempts to repattern perspectives towards a more caring and compassionate engagement with the world, and seeks to find new ways of rekindling the fundamental relationship between body and earth.
An anthology of creative works devoted to the climate crisis and climate justice.
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