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5/26/2022

POETRY: AMANDA EARL

THE BEFORE
​(from Welcome to Upper Zygonia)

Note: Citizens of Earth, facing imminent oblivion, seek an alternate home. A scribe
​dreams of Upper Zygonia, an imaginary planet.
 
we observed from space
everywhere flooding
shoreline storms, chemical poisons
we were in a hurry
the earth was peeled and pitted
a pale pink crumpled up ball
 
we were fleeing pollutants
harmful materials
watched the gradual
change of the colour of the sky
its chalky unknown, our continent
odd and waxy
 
pollution was the introduction
warming, sea levels, the endless
purple-grey washing up,
a faded indigo
ocean creatures dying.
the beaches fibrous
centuries of
breaking down
 
our tears stained
the sidewalks when we
encountered the harmful environment
the destruction of centuries’ old roots
 ongoing ocean and atmospheric ruin
the birds transformed by bad air
water, and runoff produced by factories
pollutants that would damage
future trash turning into subdued ash
 
we wanted to save ourselves
burning coal, cars spewing
pollutants and homes generating
garbage and sewage
we saw fewer insects,
flowers and barks
the air thick as wool
sea levels rise causing erosion
we were fleeing from hazards
from nostalgic memories
and golden ideals
 
we were fleeing industrial
and wastewater effects
growth meant gases into the lake
spongy clouded depths once had years
one-celled microbes to blue large city
an aquifer over a sodden mud road
toxic clouds. whales dwindling
all living things. drought begets drought
so most of this water implanted
in the terrestrial air was water
plunk down a city
 
we were fleeing the soil infertile
for years. clouds of smog
collected into nearby valleys
as the residents of the towns
suffer deadly gases
 
we were fleeing heatwaves
killing hundreds. extreme heat
dries out the soil. thunderstorms
set fire to dry forests
we were choked, or asphyxiated,
by the atmosphere
as a result, not enough land remains.
there are landslides
 
we were fleeing a pressure cooker
dead birds and other organisms
in a hazardous climate
burnt out of their natural habitat
this air all bunched up with toxic
clouds devouring landscapes
we are fleeing years without rain.
a ludicrous place to work on the land
desert skies clear as petroleum jelly
tatty from lifetimes of abuse
 
we swallowed slimy euphemisms as if they were cream
letting reality slip into unimaginably soft platitudes
making metal bouquets out of fool’s gold
drinking dollar beers in frontier towns of yester year
 
the earth is simmering
choose yer tannins
sea level continues to rise
lakes one-eighth of an inch per
painful cuts in wells
“unused” grass is banned
yellow-orange sign of water restrictions
at a rate of about cabbage
megadroughts make wore with farmers
non-arable the once verdant is a
megalopolis form of black
boiled down as seen on the satellite image
pink from above
the reasons why this once
beautiful unsustainable
precious commodity
 
we are fleeing the black water
that was once coastal cities
the fires and drought emergencies
dry a crisis
the amazon, a now-pale
speck on a disappearing map
inside the crucible of lip service policies
decided by each municipality
billions of trees burnt out
ghosts in the ancient forests
helpless against environmental vandalism
 
we are running without predictable course of action
the ground on steroids.
the battle for water
deadly and destructive storm surges
empty maps. push farther inland
the wild lightfast end
 
we’re fleeing deadly floods
sheets of ice
flash floods
grieving 1 million species never to be
devastation and death
vanishing forests
deforestation
wildfires sweeping through towns,
fine powders of ash raining down
 
corrupted oceans
an alien place. the voice of earth
is trembling,
the ice melted long ago
sea level rise
thermal south
dust expansion caused by warming
emissions from human activity
increased atmospheric heat
 
we’ve thrown ink on the fire.
extreme rain terrifying
scenes of devastation and death
swelling streams
towns washed away
no shelter remains
despite the ample warnings
 
we wrote letters to the rain in pen or brush
this should not be happening
a burning future
fruitless markings by our desires--abandoning all
renouncers of climate change
"The Before": An Excerpt from Welcome to Upper Zygonia
A Poetry Reading by Amanda Earl
October 15, 2021
The Before is a guided remix, which takes words and phrases from the following sources:
 
Pollution from the National Geographic Resource Library.
 
Cornwall, Warren, Europe’s deadly floods leave scientists stunned, Science Magazine, 7/20/21.
 
Keith, Arthur, 6 Of the Most Unsustainable Cities, Analyzed, Medium, 7/12/21.
 
Logan, Jason, The Colour: The Colour of Water, 7/20/21; The Unknown Continent 7/23/21; Handwriting 7/16/21; Berry Stains 7/2/21.
 
Luymes, Glenda, First look at Lytton reveals terrible extent of fire damage, Vancouver Sun, 7/9-12/21.
 
National Ocean Service, Is sea level rising?, O2/26/21.
 
National Ocean Service, What is glacial isostatic adjustment? 08/11/21.
 
Sandy, Matt The Amazon Rain Forest Is Nearly Gone, Time Magazine.
 
Sims, Amanda,  4 Steps to Naturally Dyeing Any Fabric Using Foods, Architectural Digest, 10/12/18.
Amanda Earl (she/her) is a pansexual, polyamorous feminist who writes, makes visual poetry, edits and publishes others and lives in Ottawa on unceded Algonquin Anishinabe territory. Earl is the author of Kiki (Chaudiere Books, 2014, now with Invisible Publishing). Her latest chapbook is The Before, an excerpt from Welcome to Upper Zygonia (above/ground press, 2022). She's the managing editor of Bywords.ca, the fallen angel of AngelHousePress, and the editor of Judith: Women Making Visual Poetry (Timglaset Editions, 2021). Welcome to Upper Zygonia has been awarded a City of Ottawa Creation and Production Fund for Established Writers Grant in 2021. Further info: https://linktr.ee/amandaearl

7/12/2020

FILM & POETRY: FIONA TINWEI LAM

PLASTICPOEMS

Plasticpoems from F T Lam on Vimeo.

Plasticpoems, 2:28 minutes

Written by Fiona Tinwei Lam
Animation by Nhat Truong
Sound Design byTinjun Niu:


This short animated video depicts two concrete/visual poems by poet Fiona Tinwei Lam from her collection of poems Odes & Laments  (Caitlin Press, 2019) about marine plastic pollution
PLASTICNIC

Plasticnic from F T Lam on Vimeo.

Plasticnic, 1:13 minutes

Written/Narrated by Fiona Tinwei Lam
Animation by Tisha Deb Pillai
Sound Design byTinjun Niu:

​
A humorous animated video poem about plastic pollution that shows how we destroy nature while seeking to enjoy ourselves in the great outdoors.

​The video poem is based on a shaped poem in Odes & Laments (Caitlin Press, 2019)
QUENCH
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Note: all words come from letters in “plastic” with no doubling. Each shift occurs with the addition or removal of a single letter and/or a reordering of the letters.

"Quench" originally published in  Odes & Laments, (Caitlin Press, 2019).

Fiona Tinwei Lam’s third collection of poetry Odes & Laments celebrates the overlooked wonder and beauty in the everyday, while lamenting harm to our ecosystems. She has also authored a children’s book, edited The Bright Well: Contemporary Canadian Poems on Facing Cancer,  and co-edited Love Me True: Writers Reflect on the Ins, Outs, Ups & Downs of Marriage with Jane Silcott. Lam won The New Quarterly’s Nick Blatchford Prize and was a finalist for the City of Vancouver Book Award. Her work appears in more than thirty-five anthologies, including The Best Canadian Poetry in English (both 2010 and 2020) and Forcefield: 77 Women Poets of BC. Her award-winning poetry videos have screened at festivals locally and internationally. She teaches at Simon Fraser University’s Continuing Studies. fionalam.net @FTinweiL
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